2017年上海沙龙泰利特酒店让您一瞥中国设计的未来。

显示全部楼层 · 发表于 2020-8-10 00:00:50

Entry to SaloneSatellite Shanghai 2017. The show’s founder & curator, Marva Griffin Wilshire, working at the reception desk. Legend. 图片 © Nick Hughes/ Yellowtrace.

Scenes from SaloneSatellite Shanghai 2017. 图片 © Nick Hughes/ Yellowtrace.

One of my favourites – Chou Er table light by Karl Yin Studio. The light integrates traditional hats and Chinese opera elements, utilising porcelain making skills of the Guan kilns in Qing Dynasty, and brilliantly expressing the oriental culture behind the work. 图片 © Nick Hughes/ Yellowtrace.

Left: Little Chubby chair by Tianyi Zhong from Soochow University in Suzhou, and another favourite of mine – Flux lamp by Shanghai-based Studio Tame, which was the first prize winner this year. Right: Kinky version of the Ming Chair by Li Haiming from University of Technology in Chao Yaing, which expresses the young designer’s awe and respect for women. 图片 © Nick Hughes/ Yellowtrace.

I think it would be fair to assume that, when most of us think of Chinese design, we immediately think of copies. Replicas. Fakes. Or the antiques. Unlike Italian design, Scandinavian design, French design etc, Chinese contemporary design has had virtually zero visibility or very little exposure in the international market. This is due to a series of several complex factors – many decades spent under a tight Communist regime and remaining closed off to the rest of the world would have done the trick, coupled with a generally low standard of living.

Although China is still ruled by the Communist Party, a modified and more radical version from the old-school variety, there’s a very different country ready to be discovered. For starters, China is now the world’s second-largest economy, with the government that nurtured a capitalist economy causing them to grow exponentially. There is this incredible paradox that can be experienced in China right now that manages to combine two sharply opposing and contradictory ideas of capitalism and communism. Chinese people are at once compliant and ruled by tradition, yet profoundly driven towards spectacular progress. Years of sitting on the sidelines have made the new generation thirsty and hungry for evolution and progress, all the while they’ve spent their time diligently completing their studies, respecting their customs and the elderly.

The contrast is strong in China, and can virtually be experienced around every corner, and it’s precisely one of the reasons I love visiting the place and simply cannot wait to return.

Hertical flower tiles by Hong Kong-based Adrian Kwong. 图片 © Nick Hughes/ Yellowtrace.

Left: Chatting to Adrian Kwong. Right: Another version of Adrian’s Hertical Flower cast from resin. 图片 © Nick Hughes/ Yellowtrace.

Left: Impossibly fine Float Shelf by Weiwei Wu from Jinhua City, made from polished stainless steel sheets and stainless steel rods. Right: Irradescent S&A Cupboard by Liwen Chen from Shandong. Details from Salone Satellite Shanghai 2017. 图片 © Nick Hughes/ Yellowtrace.

Left: Scenes from Salone Satellite Shanghai 2017. In the foreground is the Spread table with a 3D pixelated base by Chai Sheng Han from Beijing. Right: Yours truly with the one and only Marva Griffin Wilshire. Afer several emails, phone calls, and one failed interview attempt, we finally got to meet in person,all the way in Shanghai! 图片 © Nick Hughes/ Yellowtrace.

Scenes from Salone Satellite Shanghai 2017. 图片 © Nick Hughes/ Yellowtrace.

SaloneSatellite Shanghai

Whilst SaloneSatellite Shanghai cannot be compared to it’s Milan counterpart, it was thrilling to meet so many driven, passionate designers from all over China. Some of them barely spoke English, but we communicated using hands, facial gestures, even telepathy when necessary. It was clear to me these young people had a certain fire in their bellies (that I could also sense in many other facets of the country), which made me excited for the design prospect of this nation known for anything but its design credentials. Sure, there’s a way to go and plenty more work to be done, but having had a great conversation with Marva about these thoughts, she herself confirmed that many respected and high profile design figures are now spending their time teaching at prestigious design colleges in China. Look out design world, China is seriously on its way.

Alike Water by Yang Yang.

Racket Coffee Table by Aletta Sun.

Eternity On The Desert Tea Set by Mutuopia.

Float Shelf by Weiwei Wu.

Kneeling Chair by Yingyu Zhang.

First prize was won by Shanghai-based Studio Tame for their Flux lamp, which draws on China’s artisan and artistic tradition. Second prize went to Haoxuan Zhong from Bejing/Chaoyang for the Patting stool, inspired by a traditional manual assembly technique requiring no special tools. Xiaoqi Zhao from Beijing took the third prize with Alone, a chair with a curvilinear frame that replicates the inviting shape of a leaf. Yingyu Zhang from Hangzhou was awarded a Special Mention for Cetus, a swing- chair/kneeler that ensures a correct posture for the body and mind, as well as being a homage to traditional culture.

Below you will find a gallery with more images from our visit to SaloneSatellite Shanghai 2017. And in case you missed our highlights from Salone del Mobile.Milano Shanghai 2017, you can see more right here.

The winners of SaloneSatellite Shanghai 2017, left to right: Chan Ma from Studio Tame (1st prize), Xiaoqi Zhao (3rd prize), Haoxuan Zhong (2nd prize), Marva Griffin and Yingyu Zhang (special mention). Image courtesy of Salone del Mobile Press Office.