迈阿密/巴塞尔2017年设计亮点。

迈阿密/巴塞尔2017年设计亮点。

The sumptuous ceramic work of Kristina Riska was front at centre at New York Gallery Hostler Burrows.

The picture perfect stand of Galerie Kreo!

With a mixture of sand, pigment and resin, the stunning AZO Table by François Bauchet for Galerie Kreo. Image © Sylvie Chan-Lia, courtesy of Galerie Kreo.

What else do you need when it comes to wall lighting? Sarfatti for Galerie Kreo. 图片 © Galerie Kreo.

Galerie Kreo tends to always beautifully meld these two periods of design, largely thanks to owner Didier Krzentowski’s passion for mid century lighting design. One piece that stood out was Gino Sarfatti’s gloriously industrial wall lights, coupled with the stunning contemporary AZO Table by François Bauchet. Kreo was a highlight.

Colour, form, balance. Everything you could ever want from a Michael Anastassiades light.

Jorge Lizarazo’s stunning copper wire rugs for Nilufar Gallery.

Jorge Lizarazo’s stunning copper wire rugs for Nilufar Gallery.

Jorge Lizarazo’s stunning copper wire rugs for Nilufar Gallery.

Nilufar Gallery from Milan was also a standout. Michael Anastassiades’ Fontana Amorosa lighting series was an obvious way to draw me in, but it was Jorge Lizarazo’s hand woven rugs that got my wow factor going. Each piece is hand woven from different oxidised strands of copper wire in Bogota. The results are truly sublime. Big want!

Maria Bruun and Anne Dorthe-Vester’s Relief cabinet for Gallery Fumi featured a striking steel archway set against stained Douglas pine panels. Photo by Benita Marcussen.

Detail View of Maria Bruun and Anne Dorthe-Vester’s Relief cabinet for Gallery Fumi. Photo by Benita Marcussen.

Carl Emil Jacobsen’s monolithic structures can be seen amongst Chamber’s eclectic mix of pieces.

Ilkka Suppanen’s stunning 3D printed Porcupine light shows a grace rarely seen with the medium.

Some contemporary Scandinavian highlights included Maria Bruun and Anne-Dorthe Vester’s Relief cabinet for Gallery Fumi, Carl Emil Jacobsen’s textured objects seemed to be everywhere, most noticeably with New Yorks Chamber Gallery, and Ilka Suppanen’s 3D printed Porcupine light for Galerie Maria Wettergren. These were just some examples of contemporary design from Northern Europe firmly stepping away from those mid-century icons.

Strong materials and clean lines. What is not to like about Brooksbank and Collins Fonteyn Chair for Gallery Fumi.

Detail view of Brooksbank and Collins Fonteyn Chair for Gallery Fumi.

Victor Hunt had maybe the prettiest stand, featuring heavily the work of Thomas Alonso and Sabine Marcelis.

More highly prized acquisitions for my dream abode included Brooksbank & Collins Fonteyn Chair for Gallery Fumi, and Tomás Alonso‘s rugs coupled with Arnout Meijer‘s mesmerising lighting for Victor Hunt.

Although small in stature, especially alongside the mammoth Art Basel offering, Design Miami / Basel did not disappoint. To see such exquisite craftsmanship, detailing and materials, alongside Europe’s best conceptual designers of today is a real pleasure. The summer sun of Basel is pretty all right too!

Some Dutch playfulness from Arnout Meijer for Victor Hunt.

• 图片 © the designers & galleries.

• 转载自：Yellowtrace
• 语言：English
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