Milan Design Week 2017 Survival Kit & Our Must-See Milan Itinerary.Team Yellowtrace are flying to Milan courtesy of Cathay Pacific, who fly to Italy several times each week. Cathay’s great connections from Australia allow getting from Sydney to Milan in under 24 hours, including transit times. For more information visit cathaypacific.com.au.
Bloc studios presents Marble Matters // Curated by Bloc studios, “Marble Matters” is a project at the intersection of design, craftsmanship and sensorial perceptions, realised in collaboration with designer Sabine Marcelis and photographer Carl Kleiner. The pair have explored themes such as flowers interactions and light paths, both linked by the undiscussed material of Bloc Studios universe: marble and natural stones. Kleiner worked with Bloc studios to create “Posture Vases”, a collection where flowers are mounted on a construction of metal wires and marble bases. Marcelis presents the collection Voie Lights – The Stone Edition, the result of an investigation into the manipulation of light-paths, through the addition of an extra material as the marble.
Gulla Petal Chair by The Los Angeles Conversation.
Left: Keramis by Nicolas Bovesse. Right: Undecided Sofa by Mangiarotti Suppanen for Manerba.
Bee Gold by Xavier Lust.
Left: Industry+ New Old Divider. Right: Shigeru Ban Chaise Lounge for Wb form.
Max Bill Table from Wb form.A Matter of Perception – Linking Minds Exhibition at Palazzo Litta // The 2017 edition of ‘A Matter of Perception’ will see Mosca Partners and DAMN° return to Palazzo Litta together again with some of the most interesting protagonists in international design. The third edition of the exhibition will explore the theme of LINKING MINDS. Very often good ideas are generated by closed encounters and long lasting collaborations. The goal is to create an exhibition that extends from the creative process between two or more people. Ideas that grow from scratch through a mix of friendship, mutual trust and experience. Palazzo Litta
Left: Cabinet by Jasser van Oort. Right: Result chair by Royal Ahrend. Masterly Dutch Pavilion 2017 // Nicole Uniquole, the Dutch curator and initiator of Masterly, returns to Palazzo Franceso Turati. Much like last year, Masterly 2017 is an interdisciplinary group of exhibitions of Dutch Design, Art, Craft, Fashion and Photography, as you have never seen them blended before. Palazzo Franceso Turati
Jaime Hayon’s Valencia Studio. Photo by Andrew Habeck.
Jaime Hayon’s Sketches for Caesarstone installation during Milan Design Week 2017.Caesarstone presents Stone Age Folk Installation by Jaime Hayon at Palazzo Serbelloni // Caesarstone returns to Palazzo Serbelloni to unveil “Stone Age Folk” by Jaime Hayon, the pinnacle event of their year-long collaboration with the world renowned Spanish designer for the 2017 Designer Collaboration Programme. Inspired by flora, fauna and folklore from different cultures, Jaime Hayon designed an architectural pavilion, which references the famous Crystal Palace built in Hyde Park, London for the Great Exhibition of 1851, combining over 48 Caesarstone colours with metal and stained glass. Palazzo SerbelloniLee Broom’s Time Machine // British furniture and lighting designer Lee Broom will unveil his landmark tenth anniversary collection. Entitled ‘TIME MACHINE’, the 10-year show is a unique and immersive installation set inside a derelict vault in the famous and historic Milano Centrale train station. The vaults, which have been unused for over thirty years and previously never been open to the public before, form the brand new Ventura Centrale Design District in the heart of Milan launching during Salone del Mobile 2017. The installation will feature an edit of furniture, lighting and accessories from Lee Broom’s ten-year career. Ventura Centrale
Via Ferrante Aporti 17
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Ross Gardam’s Ora Lamp, Limited Edition of 2, Finished in 23K gold.
Left: HOLO by Tom Skeehan. Right: Sir Burly by Dowel Jones.
Left: Anna Varendorff for A.C.V studio. Right: Farfala Rug by Emma Elizabeth. LOCAL DESIGN // LOCAL DESIGN presents ‘LOCAL MILAN’, a showcase of 11 established Australian designers. Curated by creative director of LOCAL DESIGN, Emma Elizabeth, 8000 white bricks will be hand placed within Oratoria della Passione, to create the scenography within the Sant’Ambrodgio district in 5Vie. This will be the second year Australia has had such a large presence during Milan Design Week and 5Vie. You lil ripper! Oratorio Della PassioneThe Laterna Magica exhibition by Lasvit // The Laterna Magica exhibition builds on the mutual relationship between objects, light and space, while looking at glass from an architect’s point of view. The name is derived from an early type of image-projector developed in the 17th century. The device used hand-painted sheets of glass, a lens and a bright light source to project images. Using video mapping, Lasvit simulates this principle through glass objects and light to tell the unique stories of artistic visions revealed through glass. Lasvit at Euroluce
HALL9 Stand E19
INFINITO by Davide Groppi // INFINITO is the third and last episode of the Davide Groppi trilogy that deals with the fundamental state of light. INFINITO is thinner, almost wanting to become something else, or disappear all together. Light is expressed by dematerialising the lamp, changing it into something more than just an object of attention, leaving only a trace, a line. Davide Groppi at Euroluce
HALL11 Stand B29-C32
Sol_03 by Daniel Rybakken for Luceplan // The successful collaboration between Daniel Rybakken and Luceplan continues, after bringing the Milan-based company two Compasso d’Oro awards, in 2014 with the Counterbalance lamp, and in 2016 with Ascent. For the 29th edition of Euroluce, Luceplan presents Sol_03, an evocative lighting solution of great visual impact. Halfway between design and art, Sol_03 has a decorative character that conceals surprising technological complexity. “The Sol 03 project is about making a pendant light that occupies a large physical space with a minimal physical volume, for easy orientation in space. A translucent white film or a metallised mirror membrane is stretched inside a circular aluminium profile. Like a solar sail, an incredibly powerful light source projects a beam of light onto the large, almost weightless disk, either diffusing or reflecting the light. Thin rods connect the two main elements together. By altering the length and the connecting points of the two supporting wires the rotation of the disk can be set in any angle.” Luceplan at Euroluce
HALL13 Stand C18 - 图片 © designers / Press Office.
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