The scenography of the exhibition was created by Belgian artist Richard Venlet. Photography: Maxime Prananto
Left, installation view providing a close up of contrasting natural stone and redwood. Photography: Maxime Prananto. Right, ‘Goutte d’eau’ in bronze and aluminium. Photography: Jean-François Jaussaud
The eclectic display of works demonstrate Chale’s penchant for abstract decoration. Photography: Maxime Prananto
Chale used materials such as malachite, chalcedony agate, rhodochrosite, lapis lazuli, jade and amethyst, encrusting them in epoxy resin to create the smooth yet decorative surfaces of his tables. Photography: Maxime Prananto