FIRM
商行
I-V
I-V
CLIENT
客户端
Campari Group
金巴利集团
SIZE
size
9,600 sqft
9600平方英尺
YEAR
年
2016
2016年
LOCATION
位置
Canada, Toronto
加拿大，多伦多
INDUSTRY
工业
Food/Beverage
食品/饮料
I-V has designed the new offices of global beverage company Campari Group located in Toronto, Canada.
I-V特性设计了全球饮料公司Campari集团位于多伦多的新办公室，加拿大。
When commissioned by Gruppo Campari to design their new Toronto office, our brief was simple – ‘create a space which captures the spirit of the company and inspires the people who use it’.
当委托金巴利集团设计了新的多伦多办事处，我们短暂的简单–'创建一个捕捉公司的精神空间，让使用它的人”。
To achieve this mandate we looked to the past to inform the future. Initially captivated by Campari’s iconic posters – particularly those designed by Italian Futurist’s Fortunato Depero and Bruno Munari – we quickly found ourselves immersed within a rich archive of creative collaborations spanning over 100 years. The other aspect of the brand which fascinated us was the secret recipe which makes up Campari – which to this day only a handful of people know. And its from these two divergent ideas that we looked to distill a singular idea.
为了实现这一任务，我们期待着过去的通知未来。最初迷住了巴利标志性的海报–尤其是那些由意大利未来主义的Bruno Munari–福尔图纳托Depero我们很快发现自己沉浸在丰富的档案的创造性合作跨越了100年。其中吸引我们的品牌，另一方面是秘方组成巴利–至今只有少数人知道。而从这两种不同的想法，我们看了提取一个奇异的想法。
The overarching approach to our design was less about a concept/vision and more about a process of collage. In order to pay homage to Campari’s rich social and cultural history, we abstracted colors, patterns, textures and shapes from the posters and the ingredients – layering them over one another until we achieved a balanced three dimensional canvas.
我们设计的总体方法是少了一个概念/视觉和更多的拼贴过程。为了祭奠巴利的丰富的社会文化史，我们抽象的颜色，图案，从海报和成分的纹理和形状–分层他们彼此直到我们取得平衡三维的帆布。
The transition from brand to space was quite fluid and organic as every decision we made was filtered through the lens of bold, vibrant and experimental – bold architecture, vibrant colours + textures, and experimental material applications. For both us and the client the end goal was an inspirational space.
从品牌到空间的过渡是相当流畅的和有机的，我们所做的每一个决定是通过镜头的大胆，充满活力和实验大胆的建筑，充满活力的颜色+纹理，和实验材料应用。对于我们和客户的最终目标是一个鼓舞人心的空间。
As per the plans and photos, the office is essentially comprised of 3 primary spaces – entrance/vestibule, workspace/mezzanine, washroom/utility.
按计划和照片，办公室基本上是由3个主要的空间–入口/玄关空间/阁楼，卫生间/实用。
Our primary focus when planning was exploiting the large open area and high ceilings of the main space in order to create both public and private spaces. Inspired by Fortunato Depero’s 1928 poster titled ‘He Distractedly Put the Bitter Campari on His Head’ we wanted our architectural volumes to float within our canvas. The enclosed offices and boardrooms can be circulated around as opposed to pushed up against walls. And the upper mezzanine provides public space away from the primary work spaces
我们的主要重点是在规划时，利用大面积和高天花板的主要空间，以创造公共和私人空间。1928灵感福尔图纳托Depero海报标题为“他心烦意乱地把苦酒自己头上的“我们希望我们的建筑体量，漂浮在我们的画布。封闭的办公室和会议室可以围绕反对推向墙。和上面的夹层提供公共空间远离主工作空间
Given the history of the existing building, we encountered many challenges, however the most pressing was the lack of natural light. The space itself has no windows to the exterior and initially had no skylights – those were added during the design and construction process. And to get natural light into the private offices and boardrooms we ended up using 1.5″ polycarbonate sheets to create partitions. This allowed for soft diffused light into spaces which otherwise would have been dark.
鉴于现有建筑的历史，我们遇到了许多挑战，但是最紧迫的是缺乏自然光。空间本身没有窗户的外观和最初没有天窗–那些在设计和施工过程中添加。并让自然光进入私人办公室和会议室，我们用了1.5″聚碳酸酯板材创建分区。这允许柔和的扩散到空间，否则将是黑暗的。
This project is all about materials and colour. We used Johnsonite rubber flooring throughout the whole space to define zones. We used Gallina polycarbonate sheets to create translucent partitions. We used Abet Laminati for all of our custom millwork – the Bacterio Pattern designed by Ettore Sottsass reminded us of the cochineal insect which was traditionally used to colour Campari red. We used laser cut white ash plywood to add warmth to the space – the pattern is derived from another Camapri ingredient which is the cascarilla leaf and is intended to help with acoustics. And lastly white and grey paint to balance the vibrancy of the aforementioned.
这个项目是关于材料和颜色的。我们用Johnsonite橡胶地板整个空间定义区域。我们用加莉娜聚碳酸酯板材创建半透明的分区。我们用Abet Laminati为我们所有的自定义加工–艾托瑞·索特萨斯设计的的模式让我们想起胭脂虫是传统上用于彩色金巴利红。我们用激光切割的白色水曲柳胶合板添加温暖的空间–模式是来自另一个camapri成分是卡黎叶是为了帮助与声学。最后，白色和灰色油漆平衡上述的活力。
Design: I-V
设计：I-V
Photography: Lisa Petrole Photography
摄影：丽莎石油摄影
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发表于 2016-12-13 18:04:38
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