本帖最后由 idadmin 于 2016-12-12 21:22 编辑
高山流水遇知音 华发·中城荟武汉营销中心 主创设计：秦岳明 参与设计：肖润、何静、阳雪峰 设计公司：深圳市朗联设计顾问有限公司（www.rongor.com） 服务范围：室内设计、陈设设计、灯光设计 设计主材：直纹白玉、树脂板、木饰面、皮革、不锈钢 项目面积：1286.0㎡ 完工时间：2015.10 项目地点：湖北省武汉市 摄影师：井旭峰 伯牙以琴遇见子期； 李白以诗遇见杜甫； 而当华发·中城荟落地武汉CBD，它又该以何种方式与武汉产生对话连接？ 不想脱离武汉去臆造一个毫无关系的风格，所以我们对在地文化进行了深度考察。东湖雨后湖面泛起的涟漪激发了设计师灵感，也让我们找到了答案——水。江河纵横、湖港交织的武汉，水，既见证了它的繁荣与发展，也滋养孕育了它几千年的历史人文。这一次，我们意图营造的，是一个以水为题、 润物无声的自然空间。 水的性格，化在动静之间。因此，如何演绎它并将其自然地融入空间成为了本案的设计要点。于是，我们将室内、外的实体水景，空间的屋顶、墙面、屏风，抑或是灯具和艺术装置、壁画、摆件等，都活化为“水”的载体。那些提炼过后的“水”之意向，便在不经意间唤醒来访者内心深处的美好涟漪。 在入口两侧，我们设置了延续室内外的水景，希望藉此在热闹都市中营造一种“复得返自然”的静谧之感。在空间的立面处理上，白玉石墙面细腻的水波纹，与上部横向线条变化部分形成 “涟漪”纹理相呼应，有如湖面投进了几颗石子。层层递进，引人驻足、遐想。 而在室内灯具的设计中，我们着重凸显“水”的律动质感。接待大厅聚合有致的组合灯具如清晨的露珠，同时亦具有强烈的导向性，在空间中自然的流动。而模型区上方的组灯，则如倾盆而下的太阳雨，瞬间将视线引向中心模型，使其变为全场焦点。 相对于其他空间，洽谈区的设计更加注重营造内心与情感的交流与对话。以艺术装置和屏风区隔的洽谈区，动中有静，既现代又传统，逼真地诠释出水的精神和底蕴。水墨意境的绢丝隔断屏风，将“墨即是色，水晕墨章”、“象中有意，意中有象”的水墨意境向我们铺展而来；而灵感源于台湾云门舞集的现代舞剧——《水月》的大型艺术装置悬挂其中，灵动舒展的线条犹如水在阳光下舞蹈，形成强烈的视觉符号，化成洽谈区的点睛之笔。
秦岳明 秦岳明， 深圳朗联设计顾问有限公司设计总监，1990年毕业于重庆大学建筑学专业，1994年起开始涉足室内设计，1999年组建朗联团队，现为深圳大学客座教授，《中国室内》杂志执行编委，深圳市室内建筑设计行业协会SIID副会长，中国建筑学会室内设计分会CIID理事及第三专业委员会委员。同时还被清华美院、同济大学、中央美院等五所高等院校聘为实践导师。
Meeting bosom friends Huafa & City Hub Wuhan Sales Center Principal Designer: Qin Yue-Ming Design Team: Xiao Run, He Jing, Yang Xue-Feng Design Company: Shenzhen Rongor Design & Consultant Co., Ltd ( www.rongor.com) Design Scope: interior design; furnishing design; lighting design Main materials: white jade with straight grain, resin plate, wood veneer, leather; stainless steel Area:1,286.0㎡ Date completed:2015 Location: Wuhan, Hubei Province, China Photographer: JING Xu-Feng With Guqin, Yu Boya met Zhong Ziqi, the only one who can understand his music; With poems, Li Bai, a great poet in the Tang Dynasty, met Du Fu, another renowned poet; So when the project developed by Huafa & City Hub lands in Wuhan’s CBD, in which way should it meet Wuhan? Intending to design a building style connected with Wuhan, we conducted a deep research of the local culture. Sparkling ripples in the East Lake after rain inspired the designers and led us to the answer—water. Wuhan is a city linked by rivers, lakes and pools. Water has not only witnessed its development and prosperity, but also nurtured its history and humanity for thousands of years. So we aim to create a natural space with water as the theme. The character of water lies in moving and motionlessness. Therefore, how to embody it and absorb it into space naturally have become the key to our design. As a result, we turn both real interior and exterior waterscapes, rooftops, walls and screens and even lightings, artworks, murals and ornaments, etc. into vivid carriers of water. And these objectified images of water can unexpectedly evoke the visitors’ inner response to beautiful moments. We place extended real interior and exterior waterscapes on both sides of the entrance, expecting to create a sense of “returning to the nature” in hustling metropolis. In spatial facade design, the fine and smooth water ripples in the wall made of white jade echo ripple textures formed by changed parts in upper horizontal lines. It looks like some stones are thrown into the lake, wrinkling the water layer by layer and inviting people into thoughts. In interior lighting design, we prioritize the presence of the moving rhythm of water clearly. Well-organized composite lights in the reception lobby represent the dewdrops in the early morning. Meanwhile, these lights present strong guidance, flowing naturally in space. Moreover, the component lights above the model area resemble pouring sun shower, immediately drawing visitors’ vision to the central model and making it the focus. Compared to other spaces, the design of negotiation area attaches more importance to the creation of inspiring inner communication. The negotiation area separated by artwork installation and screen is both tranquil and dynamic, modern and traditional, vividly demonstrating the spirit and implication of landscape. The partition screen made of spun silk is dotted with traditional Chinese ink and wash painting, subtly spreading the shading charm and delicacy. Inspired by the modern dance drama “Moon Water” performed by the Cloud Gate Dance Theater in Taiwan, the large artwork installation is hung in the center of the area. Its flexible and unfolding lines are just like dancing in the sun, forming a strong vision reference and thus become the finishing touch of the negotiation area.
QIN Yue-Ming QIN Yue-Ming, the Design Director of Shenzhen Rongor Design & Consultant Co., Ltd. QIN Yue-Ming received a Bachelor of Architecture in Chongqing University in 1990, got involved into the field of interior design in 1994 and founded Rongor Design & Consultant in 1999 in Shenzhen, China. He is now a guest lecturer at ShenZhen University, an executive editor of interior design magazine《CHINA INTERIOR》，the vice chairman of Shenzhen Institute of Interior Design(SIID), the director of China institute of Interior Design (CIID), a committee member of CIID’s third committee (Shenzhen), and a mentor at the Academy of Arts & Design, Tsinghua University, Tongji University and China Central Academy of Fine Arts.
|
发表于 2016-12-12 21:04:30
v
已绑定手机
