本帖最后由 DesigNet 于 2014-12-28 11:23 编辑
Interior Architecture and Design: In Situ Design
Interior Design: Lilian B Interiors
Paintings: William Engel Project description OVERVIEW
The design of The William hotel was an intimate collaboration between artists and designers who wanted to blur the lines between art, architecture, and interior design. Paintings were commissioned for the corridors on each of five floors in distinct color fields – blue, teal, pink, green and orange. The abstract forms of the paintings were translated into rooms where guests could fully experience color.
GOALS
Our primary goal was to make the boundaries of “the art” and “the room” indistinguishable. The experience begins in the corridors where the colors of the paintings insinuate themselves onto the ceilings and walls. In the guest rooms color is layered on planes, niches and floating walls. Conceptually speaking the paint has been delaminated from the canvas and used to create space from color. Coaxed from “chromatic black”, color emerges onto the room’s surfaces, bed linens, carpets, and furniture in varying degrees of vibrancy and saturation. By avoiding the aesthetics of minimalism and good taste, and exploring color like painters, our secondary goal was to reach past fashion and personal likes and into the depths of what unapologetic color can mean. Staging fresh juxtapositions, sometimes complimentary and other times dissonant, invites an emotional response and is a kind of theater. This color is not decorative. It is visceral and fully immersive.
PROCESS
Unlike the usual design sequence that ends in the acquisition of art, the artist executed his “pour” style paintings in a studio shared by the design team at the very beginning of the process. Vibrant colored paints shared layout space with like swatches of fabric, and materials while plans were being drawn in a dynamic and catalytic process. As the paintings materialized so did the rooms and as the rooms evolved so did the paintings. The art was both generative and responsive and not a decorative afterthought. Working together atelier style, the team literally lived and breathed the colors now on the walls and of the rooms at The William.
项目描述 概述 威廉酒店的设计是艺术家和设计师谁想要模糊之间的艺术，建筑的线条之间的亲密合作，与室内设计。画被委托为每五层不同颜色域–蓝色，蓝绿色，粉红色的走廊，绿色和橙色。绘画的抽象形式转化为房间在客人可以充分体验色彩。 目标 我们的主要目标是使边界的“艺术”和“房”的区别。体验开始在走廊里画的颜色渗透到天花板和墙壁。房间内的颜色是分层的平面上，定位和浮动壁。从概念上说的油漆被剥离从帆布和用于从色彩创造空间。把从“色黑”，颜色出现在房间的表面，床单，地毯，和不同程度的振动和饱和的家具。通过避免极简主义的、高品位的美学，探索颜色像画家，我们的第二个目标是达到过去的时尚和个人喜好和深处不意味着什么颜色。分期新鲜并置，有时免费，有时不和谐，邀请了情绪反应，是一种戏剧。这个颜色是不是装饰。这是内脏和完全身临其境。 过程 不同于一般的设计顺序，在艺术的采集端，画家将他的“倒”在工作室的过程在开始的时候设计团队共同的绘画风格。充满活力的彩色涂料共享布局空间像布织物和材料，同时计划正在绘制一个动态和催化过程。为画物化做房间，房间是这样的画。艺术的生成和响应而不是装饰上。一起工作的工作室风格，球队真正生活和呼吸的颜色现在的墙壁和威廉在房间。
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发表于 2014-12-27 17:08:06
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