本帖最后由 eminamcd 于 2014-12-15 01:15 编辑
皆深深扎根于土地，反映出地球的色彩和泥土的品质。Kirstie van Noort将她的精选作品分享读者。 CORNWALL Kirstie van Noort曾在2010年前往CORNWALL对当地采矿业和景观进行研究，她参观了12座不同的矿山，在现场搜集了可以作为瓷器锻造染色 的铜和锡等材料。2014年的春天，她再度到访CORNWALL，搜集了包含银，铅，锡，铜等等在内的50个新样本，她拍摄了自己所经之处。照 片反映出这个星球的地质那绚丽的色彩。
In 2010, I travelled to Cornwall to research into the extensive influence of the mining industry onto the landscape. I visited twelve different
mines and collected samples of residue from the porcelain, copper and tin industries. The samples formed the base material for a ceramic paint that can be used to color porcelain. This Spring I visited Cornwall for the second time. I collected 50 new samples of different industries such as silver, lead, tin and copper. These photographs showing the intense colors of the different places where I did collect the materials. THE RESEARCH COLLECTION Kirstie van Noort的这个研究系列有高咖啡杯，矮咖啡杯，小碗和锥形陶瓷，他们拥有各自不同的色彩与着色方法。此次研究共开了120个色彩 图系。这些来自大地的材料在被研磨干燥后，用水稀释，就能为陶器上色。 By treating materials as paint and using them to color earthenware and china, we developed a color chart with 120 different colors. Twelve materials originating from the china, tin and copper industry in Cornwall were used to form the basis for this chart. The colors show the richness of the landscape in which they were once flourishing industries. In order to turn them into ceramic paint, the materials have been dried and ground, diluted with water and applied as a color coating to earthenware and china. In ‘The Research Collection’ the colors are used to color 4 basics; an espresso cup, a coffee cup, a small saucer and a cone. Each one is unique and colored differently. 6:1 完美无瑕的白色陶瓷在生产过程中总是伴随着巨大的浪费，通常一公斤的产出伴随着成6公斤的废料。在这个系列中，色彩，纹理和利用通常的 “废料”是主题，将残渣与白色原料以6:1的比例混合生产出多样性的美丽陶瓷。 The production process of immaculate white porcelain is extremely damaging. One kilo is accompanied by six kilos of waste, the mining changes landscapes once and for all. Colour, texture and structure of the waste are the source of this ceramic series. The abundance and diversity of the residue create an extra dimension of beauty, always in a 6:1 proportion.
CERAMIC PAINT / COLLECTION CORNWALL
CERAMIC PAINT / BOOK
CORNWALL COLOR STUDIES
About Kirstie van Noort
Kirstie van Noort (1986) sees design as a way to communicate a certain process or the story behind a material. When she is intrigued by one of these a study starts by making detailed test and experiments. The outcome of the research could form the foundation of the concept behind a final product or result in the research itself. Text by Kirstie van Noort & gooood
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发表于 2014-12-15 01:13:37
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