本帖最后由 gf189189 于 2013-10-9 09:17 编辑
hou de sousa: quito restaurant dim sum bar
侯德索萨:基多餐馆点心酒吧
focusing on detailed surfaces and lighting, the quito restaurant ‘dim sum bar’ by architecture firm hou de sousacombines both contemporary and classic design elements. the existing space was highly irregular in both shape and proportion, a perimeter of load bearing concrete walls limited renovations to the layout. the architects collaborated with the client, who had purchased a set of tables and chairs for the space, which were then incorporated into the new design. the pieces feature white leather cushions set on dark wooden frames with a ribbed backrest – these components provided an aesthetic vocabulary that was applied throughout the project. the limitations of improving the internal structure required an experiment concerning two-dimensionality and depth. the privacy screens that divide the space appear to be traditional chinese doors, but the seemingly random pattern of perforations actually contain a hidden message. the inner linings of the perforations were painted white on one side only, ‘dim sum bar’ is spelled out repeatedly, but only visible from certain angles. the entry signage is composed of holes that have been drilled into the wall that are then backlit. the vitrines that display the wines contain only one layer of bottles, but due to the mirror’s reflections, a 2d grid appears as an infinite 3d matrix.
专注于详细的表面和照明, 基多的餐厅“点心酒吧”的建筑公司 侯德索萨结合现代和经典的设计元素。 现有的空间高度不规则的在这两个形状和比例,周边承重混凝土墙有限公司装修布局。 架构师与客户合作,购买了一套桌椅的空间,然后将被纳入了新的设计。 白色皮革垫块功能设置在漆黑的木框架与肋靠背——这些组件提供了一个审美的词汇,是应用在整个项目。 的局限性,提高内部结构需要一个实验有关两个维度和深度。 隐私屏幕,把空间似乎是中国传统的门,但看似随机的模式实际上包含一个隐藏的消息穿孔。 里衬的孔眼被漆成白色的一边只有,“点心酒吧的拼写,但只有可见的反复从某个角度。 入口标志是由洞,一直在墙上钻,然后背光。 葡萄酒的橱窗显示只包含一层瓶子,但由于镜子的反射,一个2 d网格看起来似乎是一个无限的3 d矩阵。
酒吧是由白色丙烯酸,黑暗的地方木和黑花岗岩,一系列荧光灯泡光从内部的酒吧
视图的酒吧从窗口一侧的房间
主用餐区显示详细的花纹适用
现有的空间高度不规则的在这两个形状和比例
朝前面的出口
角瓶玻璃橱窗
入口的点心酒吧,标志由背光漏洞,在墙上钻了
瓶玻璃橱窗的细节
这面墙细节特征变化的汉字“好运气”从不同的历史时期
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